By Harold Bloom
The prestige of Alice Walker as a interval author or everlasting determine in American literature continues to be a resource of dialogue between critics. This quantity examines Walker's Meridian and the colour red, and encompasses a checklist of works via and concerning the writer. This sequence is edited via Harold Bloom, Sterling Professor of the arts, Yale college; Henry W. and Albert A. Berg Professor of English, big apple college Graduate college; preeminent literary critic of our time. Titles comprise exact plot summaries of the radical, extracts from scholarly serious essays at the novels, an entire bibliography of the writer's novels, and extra.
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Extra info for Alice Walker, New Edition (Bloom's Modern Critical Views)
She is distracted from the external realities, focused on better shaping and understanding the signiﬁcance of the moment within 26 Joseph A. Brown the coils of the Sacred Serpent. Meridian’s ﬂight from the body has stayed with her: Meridian lived in a small corner room high under the eaves of the honors house [of Saxon College] and had decorated the ceiling, walls and backs of doors and the adjoining toilet and large photographs of trees and rocks and tall hills and ﬂoating clouds, which she claimed she knew.
8 The least eﬀective, most seemingly comic heroines in Walker’s short ﬁction were inspired by Walker herself. These predominate in You Can’t Keep a Good Woman Down. Walker has never denied that there are some autobiographical dimensions to her stories. When “Advancing Luna—and Ida B. Wells” was ﬁrst published in Ms. magazine, Walker included a disclaimer that “Luna and Freddie Pye are composite characters, and their names are made up. 10 Anyone familiar with Walker’s personal life will see the signiﬁcance of the references to Sarah Lawrence, the doorless ﬁrst apartment in New York, and the job at the Welfare Department in “Advancing Luna” (YCK); or the stay at a New England artists’ colony in “The Lover” (YCK); or the marriage to a New York Jew, the baby girl, the novel, and the house in the segregated South in “Laurel” (YCK).
She has become another function of her name: compass point. It was Meridian who had led them to the mayor’s oﬃce, bearing in her arms the bloated ﬁgure of a ﬁve-year-old boy who had been stuck in the sewer for two days before he was raked out with a grappling hook. The child’s body was so ravaged, so grotesque, so disgusting to behold, his own mother had taken one look and refused to touch him. To the people who followed Meridian it was as if she carried a large bouquet of long-stemmed roses. The body “All Saints Should Walk Away”: The Mystical Pilgrimage of Meridian 27 might have smelled just that sweet, from the serene, set expression on her face.
Alice Walker, New Edition (Bloom's Modern Critical Views) by Harold Bloom